Posts

It’s all very well having a plan for your writing, but how do you actually get going? “I’ll just quickly check Twitter, then I’ll make a start on this chapter.” 5 hours later, it’s time for dinner. In this post, I’ll share three strategies for dealing with an unwelcome visit from the Procrastination Fairy. 1. Think about why you’re procrastinating Are you bored? Find a part that stimulates you and start there. Is it hard? Why is it hard? Do you fully understand your research material. Perhaps there’s a gap in your knowledge? (NB: this is not an excuse to read another 500 journal articles). Does nothing make sense? Go back to the planning stage. This saves you time, as you’ll write much faster with a clearer sense of where you’re going. Would you rather be doing something else? Remind yourself why you’re doing this and how pleased you’ll be when it’s done. Distracted by other ideas? Write them down, then get back to the task. 2. Try some warm-up exercises Most of us can’t suddenly switch into writer mode and expect words to tumble from our fingertips. Easing yourself in gradually gives your brain a chance to adapt and focus. Five minutes’ freewriting is the perfect warm-up exercise. The point of freewriting is that you just keep going: type whatever’s in your head, and don’t stop to reflect or edit. If you’re terrified of what’s in your head, you could try some prompts: ...

As a writer, there’s nothing more intimidating than a blank screen. As we stare into the void, our brain goes into spasm and we’re unable to retrieve even rudimentary ideas. Anything that does pop into our head feels like utter rubbish. No wonder it’s often easier to faff about on Facebook or talk to the cat. In this post, I’ll walk you through three simple planning techniques to make your next piece of writing less daunting. You can use them in sequence, mix and match, or adapt them for your purpose. ...

If you’re an academic researcher, you’re also a professional writer. And if you’re a professional writer, then you’re probably suffering from a range of health problems. Most of us spend a lot of time hunched over our desks, so engrossed in work that we give no thought to the long-term consequences. Joanna Penn’s new book The Healthy Writer is based partly on survey responses from 1,100 writers, who reported stress, back pain, weight gain, anxiety, depression, headaches, and Repetitive Strain Injury (RSI). I’ve heard very similar stories from attendees at my workshops and writing retreats. ...

If you’re at all familiar with academic publishing, you’ll know it moves at the pace of a creaky snail. Imagine, then, a team of researchers gathering to plan, write, edit and publish a book in just 4 days. Yes, that’s right – 4 days. I was sceptical, too. Devised by Adam Hyde, the Book Sprint is a process that promotes collaboration and rapid decision-making, helping teams to achieve a lot in a short space of time. Typically, the Sprint is arranged over 5 stages: ...

It’s not often that Florence Marryat makes the national press, so this has been an exciting week. An unpublished letter from 1860 has emerged in which Charles Dickens berates Marryat for requesting advice from him. She offered a short story for inclusion in his journal All the Year Round, hoping that he would also give her a critique. Of course, it’s perfectly usual for authors to solicit feedback from editors, and Dickens was actually a close friend of her father, fellow novelist Captain Frederick Marryat. Poor Florence must’ve been rather miffed to receive a three-page snotgram in response. Bonhams, who are to auction the letter on 16th March, have described Dickens’s reply as “wonderfully rude”. Refusing to enter into further discussion, he writes: ...

It’s the sixth time I’ve done this meme, and it’s harder this year as I’ve been a bit slack with my reading. THE RULES: Using only books you have read this year (2015), answer these questions. Try not to repeat a book title. Describe yourself: Fingersmith (Sarah Waters) How do you feel: The Content Machine (Michael Baskhar) Describe where you currently live: Armchair Nation (Joe Moran) If you could go anywhere, where would you go: Packing for Mars (Mary Roach) ...

True crime isn’t usually my cup of tea, but I found myself completely transfixed by Elizabeth Jenkins’s Harriet (1934) last year. Based on the infamous Penge murder trial of 1877, the novel recounts the short life and pitiful death of Harriet Staunton, a middle-class woman with what we would now call ‘learning difficulties’. Although she struggled to read and write, Harriet took great pride in her appearance and enjoyed a luxurious lifestyle with a comfortable income. Her loving mother did everything to make Harriet’s life normal, never imagining her daughter would become the victim of a merciless fortune-hunter. ...

Although originally a character in Thomas Morton’s play Speed the Plough (1798), Mrs Grundy has enjoyed greater fame as the arbiter of nineteenth-century moral standards. In Mrs Grundy’s Enemies, Anthony Patterson selects for his study a range of authors – including Emile Zola, H G Wells, and George Egerton – who courted controversy with their frank portrayal of sexuality. He discusses how the culture of censorship shaped fiction, and examines the ways in which novelists challenged the dominant conservative ideology. Ultimately, Patterson makes a convincing argument that it was the Realists of the late Victorian era who faced resistance to literary innovation, long before the Modernists of the next century. Indeed, Mrs Grundy’s Enemies was also the title of a novel by George Gissing that remained unpublished after his publisher decided it was morally dubious. ...

The mention of Victorian asylums often evokes images of despairing souls, incarcerated by sadistic wardens. While we might sigh with relief at our good fortune at living in more enlightened times, archivist Mark Stevens’s insightful new book offers a completely different perspective. Cleverly written in the style of a handbook for new arrivals, Stevens deftly adopts a Victorian tone, but with twenty-first-century sensibilities. ...

Eliza Lynn Linton is an unlikely heroine for me, given she is best known for her anti-feminist articles ‘The Girl of the Period’ for the Saturday Review. While her journalism alerted readers to the dangers of the New Woman in all her guises, Linton’s novels – quite literally – tell a different story. First published in 1867, Sowing the Wind features an emancipated woman who bears a remarkable resemblance to Linton herself. Like her creator, Jane Osborn works as a journalist on a daily newspaper, managing to thrive in a masculine environment and to earn the respect of her male colleagues. Linton was actually the first woman journalist in England to earn a salary, and was described by Charles Dickens as “good for anything, and thoroughly reliable”.1 Jane works to support her mother, an endearing but unworldly woman, and her recently discovered cousin, Isola. ...