Ralph the Heir by Anthony Trollope
The opening of Ralph the Heir (1871) is marred slightly by a preponderance of Ralph Newtons. One is heir to the estate of Newton Priory and thoroughly unworthy of the honour; the other is his cousin, an affectionate and scholarly type who everyone would prefer to inherit the family wealth. In anticipation of his fortune, Bad Ralph has racked up a considerable debt to his breechesmaker, the ambitious Mr Neefit. Eyeing the prospect of social advantage, Neefit pledges to write off the debt and provide a £20,000 dowry if Ralph agrees to marry his daughter, Polly. He waxes lyrical as to her advantages and youthful charms: “There ain’t no mistake there, Mr. Newton; no paint; no Madame Rachel; no made beautiful for ever! It’s human nature what you see there, Mr. Newton.” Poor Polly has no interest in her impecunious suitor, protesting: “I’m not going to be given away, you know, like a birthday present, out of a shop. There’s nobody can give me away, father,–only myself.” She knows her place, and her own mind. ...