Fiction

Published anonymously in 1935, The Bazalgettes is a spoof Victorian novel by E M Delafield, best known for her highly entertaining Diary of Provincial Lady series. The story is set in the 1870s and centres on young Margaret Mardon, who is so desperate to escape her unhappy family home that she determines to accept the first marriage proposal offered. A suitor appears in the form of 64-year-old widower Sir Charles Bazalgette, who essentially wants a mother for his unruly brood of five children. Margaret accepts his proposal with alacrity, becoming “the third of her husband’s experiments in wedded bliss”. ...

The futuristic utopia depicted in The Fixed Period (1882) is a radical and unexpected departure for Anthony Trollope. Imagine Thomas Pynchon writing a chick lit novel, or Maeve Binchy turning her hand to slash fiction. It’s a radical departure for me, too, as essentially I’ve been tricked into reading science fiction. The story is set in 1980 in the fictional republic of Britannula, created when a group of ex-pats occupy the South Island of New Zealand and claim independence from Great Britain. The 25,000-strong community is led by President John Neverbend, who almost bursts with his own self-importance and civic pride. ...

Ayala’s Angel (1881) is a rather incongruous title for a Trollope novel. However, the story deals very much with his familiar territory of marriage, inheritance, and the position of women. After the death of their imprudent artist father, penniless sisters Ayala and Lucy Dormer are separated and sent to live with different branches of the family. Lucy is taken in by her well-meaning Uncle Reginald, an Admirality clerk struggling to manage on a limited income; Ayala, meanwhile, embarks upon a more comfortable lifestyle with her wealthy aunt, Lady Tringle. Unfortunately, her two unattractive female cousins become jealous of Ayala’s beauty, and their brother Tom falls hopelessly in love with her, and refuses to take no for an answer. ...

WARNING: Contains plot spoilers. Although it saves you the trouble of reading this terrible novel. Do yourself a favour and read Armadale instead. The Fallen Leaves (1879) is generally considered to be Wilkie Collins’ worst novel, and for once I am inclined to agree with the majority view. It’s hard to credit that the masterful creator of The Woman in White and Armadale could also be responsible for such a turgid story. The ‘Fallen Leaves’ of the title are introduced as “The people who have drawn blanks in the lottery of life … the friendless and the lonely, the wounded and the lost,” which alerts the reader to the excessive moralising that ensues. The novel actually starts rather well, with dastardly fortune hunter John Farnaby impregnating his girlfriend, Emma Ronald, thereby forcing her parents to approve their ill-advised marriage. Once he’s got his feet under the table, he arranges for the baby to be kidnapped, thereby escaping the stigma and inconvenience of a child conceived out of wedlock. The girl’s whereabouts remain unknown until the arrival of a Christian Socialist with the unlikely name of Amelius Goldenheart. ...

The plot of The Evil Genius (1886) focuses on a seemingly respectable middle-class marriage which falters when the husband, Herbert Linley, becomes infatuated with his daughter’s governess, the orphaned Sydney Westerfield. His wife, Catherine, is made aware of the situation following the interference of her stickybeak mother, the eponymous Evil Genius. Although initially reasonable and rational, Catherine becomes furious when Herbert proposes setting up home with his mistress and taking their daughter Kitty to live with them. She whisks Kitty away to live in Scotland where the marriage laws are more relaxed, and manages to obtain a divorce, thereby retaining custody of her own daughter. Like Laura Fairlie in The Woman in White, she must fight hard to resist the immense power the law has invested in her husband. ...

Mona Caird is best known for her 1888 article “Marriage”, in which she argued that the venerable institution was a “vexatious failure”. A reactionary retaliation in the Daily Telegraph prompted 27,000 letters, with many of the correspondents agreeing with Caird’s gloomy assessment. The ensuing debate, “Is Marriage a Failure?”, captured the imagination of the public, spawning a book, an automaton, and a card game. The Wing of Azrael (1889) was published in the following year, and the novel was judged very much in terms of the author’s polemical writings. With this in mind, Caird included a preface in which she attempted to establish a clear demarcation between the two, writing: “however much this book may be thought to deal with the question so much discussed, there is no intention on the writer’s part to make it serve a polemical ‘purpose’ or to advocate a cause. Its object is not to contest or argue, but to represent.” Notwithstanding Caird’s intention, The Wing of Azrael is incontrovertibly a novel with a purpose, but it is, nonetheless, a fine example of the form. ...

Phineas Redux (1874) is possibly the darkest of the Palliser novels. In Phineas Finn (number two in the series), we saw the eponymous hero begin his ascent of the greasy pole, and he looked to have a bright future in British politics. In this sequel, the untimely death of his wife releases him from a disadvantageous marriage and exile in Ireland, and he once again bursts onto the London scene. Lacking wealth, however, he is placed in the position of a Trollope heroine: he must marry for money and resign himself to dependency. His choice of wife, therefore, must be entirely pragmatic. ...

I seem to have embarked upon a Wilkie Collins season and can’t get enough of him at the moment. Although Jezebel’s Daughter (1880) was one of his least popular novels, it certainly doesn’t lack interest or incident. The plot centres around the firm of Wagner, Keller and Engelman, which has offices in London and Frankurt. After the death of her husband, Mrs Wagner becomes senior partner and is determined not to take a back seat. Eager to continue her late husband’s philanthropic activities, she befriends Jack Straw, an inmate of Bedlam, and takes him to live with her in order to prove that ‘lunatics’ are not beyond redemption. ...

After a life on the streets, Mercy Merrick successfully rehabilitates herself with the help of an inspirational sermon from a young clergyman, Julian Gray. Working as a volunteer nurse in the Franco-Prussian War, she meets Grace Roseberry, a genteel woman with an unappealing, but spotless, character. When Grace is apparently killed by a German shell, Mercy assumes her identity and returns to England. Using a letter of introduction meant for Grace, she is welcomed into the home of the wealthy Lady Janet Roy, becoming her companion and adopted daughter. Meanwhile, Grace has made an unexpected recovery, following some inspired brain surgery by a maverick German doctor. Grace finds her way home, only to discover that her place has been taken by an ex-prostitute. ...

Henry James wrote that Trollope’s “political novels are distinctly dull,” and confessed that he had been unable to read them. Although the Palliser novels, of which The Prime Minister (1876) is the penultimate, do contain a running political theme, I can happily report that these elements can be skimmed with no ill effects. Having said that, the collapse of a precarious Coalition government and talk of Tories in Liberal clothing have a certain resonance for current British readers. ...